Jerk Music Critic: Cat Stevens, Izitso

Cat Stevens becoming Yusuf Islam wasn't the most surprising thing he did in 1977, surprisingly, when he whipped out the synthesizers for what's my favourite album of his because it's so odd and yet sounds so good. Heck, you have actual proto-trip on a Cat album ("Was Dog a Doughnut?") back when people thought that was just something Peter Sellers did before he fell over. The best part of the album is not that it's inventive for inventiveness' sake but that it understands when not to be: intro track "(Remember the Days of the) Old Schoolyard"'s Moogy fanfare brings them in solid, but gentler tracks like "(I Never Wanted) To Be a Star" and "Child For a Day" know when to say when. Particularly underappreciated is "Life," with a welcome touch of prog in the bridge, and of the instrumentals while "Was Dog a Doughnut?" gets all the retrospective bemusement "Kypros" has a throwback beguilement all its own. The tracks in the middle kind of blur together and he was probably bit too stingy with the schmaltz overall, but wow, what a record. It cries out for the modern re-release it so richly deserves, in particular the legendary Ringo Starr sessions which to date only exist as bootlegs. (Content: no concerns.)

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Express Yourself

The Jerk Music Critic is a collection of amateur music reviews I wrote largely non-professionally between the 1990s and today. Some of these reviews are contemporary and some are retrospective, and a few are rather dated, but all are intended to be free-standing and permanent records of my completely worthless musical opinion. They are presented in no particular order and "new" reviews that occur may actually be simply prior ones I've only now transcribed. Older reviews have been edited to hopefully remove inaccuracies later revealed, as well as add brief content advisories (see "Smash the PMRC") and, where reissues exist with different tracks, brief commentaries on these later additions (the actual star review was not altered).

If you're looking for a specific artist, or just interested to see what I really liked (or really didn't), "When I Break Down" indexes reviews by artist and by number of stars awarded (see "Star Chart" for an explanation).

As we move deeper into the Internet music age where the album format might seem hopelessly antiquated, there is still some artistic value in the LP to those artists who still take advantage of it, and some of these recordings can only be properly appreciated in that context. I hope you enjoy these reviews and recommendations, and don't take them too seriously. — Cameron Kaiser

Star Chart

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An instant classic. Substantially advances/d the state of the art, either technologically, stylistically, or (preferentially) both, and is outstanding music besides. Buy it.

🌟🌟🌟🌟
A excellent album. Nearly every song is a gem; nearly every piece is a winner. Falls short of 5 stars for want of that certain special something, but the difference is in impact, not in musical quality. Buy it.

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Solid. Mostly good songs with a few clinkers. Salvageable with a good playlist. Buy it cheap.

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Mixed. Some good songs stand out, but not enough to make it listenable as a whole. Buy the good songs on iTunes.

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Bad. One or two tracks of even decent quality. Buy the good songs cheap on iTunes.

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How did this get released?

Smash the PMRC

I don't advocate for censorship or unnuanced black and white stickers, but I do advocate for parents being able to raise kids in the way they see fit, which might include introducing albums of controversial yet artistic merit at a point in their child's life when they can better appreciate it. The content summaries are intended to be a very general guide, reflective of only my own personal sensibilities and mine alone, and do not substitute in any way for a parent actually sitting down and listening to the album themselves. If you excessively rely on my content advisories, then I'm the one raising your kid, and you really don't want that.