Jerk Music Critic: Badfinger, Timeless ... The Musical Legacy

This band suffered, at times unjustly, and they suffered bad. Their compilation producers aren't doing them any favours either. The obvious and deserving hits made it ("Day After Day," "Come and Get It" and "No Matter What") plus at least one worthy B-side ("I'll Be The One"), and the group's (well, more) Beatlesque days as the Iveys are at least somewhat represented by "Dear Angie" and the beguiling "Maybe Tomorrow." Unfortunately their irritating original version of "Without You" shoots itself in the head early (any of the covers are superior), "Baby Blue" was a dopey choice for a single (the George Harrison-produced tracks from that album like "Name of the Game" and of course "Day After Day" are better) and "Believe Me" is as good as it is only because it's actually interpolating "Oh! Darling." Still, this collection gets the nod over 2000's The Very Best of Badfinger for completeness, especially the inclusion of Ass, though there was probably good reason in earlier attempts to leave off the aimless "Apple of My Eye" and the dreary, overstuffed seven-and-a-half-minute excess of "Timeless." Two of their Elektra tracks also made it, paragons neither one, but they're here ("Dennis" from Wish You Were Here takes a little while to get where it's going, while Airwaves' "Love Is Gonna Come At Last" never does). The most accurate compilations capture a group's aesthetic clearly, and while listening to this one it's hard to shake that as unfair as life was to the members of this band, they weren't entirely blameless for it either. (Content: no concerns.)

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Express Yourself

The Jerk Music Critic is a collection of amateur music reviews I wrote largely non-professionally between the 1990s and today. Some of these reviews are contemporary and some are retrospective, and a few are rather dated, but all are intended to be free-standing and permanent records of my completely worthless musical opinion. They are presented in no particular order and "new" reviews that occur may actually be simply prior ones I've only now transcribed. Older reviews have been edited to hopefully remove inaccuracies later revealed, as well as add brief content advisories (see "Smash the PMRC") and, where reissues exist with different tracks, brief commentaries on these later additions (the actual star review was not altered).

If you're looking for a specific artist, or just interested to see what I really liked (or really didn't), "When I Break Down" indexes reviews by artist and by number of stars awarded (see "Star Chart" for an explanation).

As we move deeper into the Internet music age where the album format might seem hopelessly antiquated, there is still some artistic value in the LP to those artists who still take advantage of it, and some of these recordings can only be properly appreciated in that context. I hope you enjoy these reviews and recommendations, and don't take them too seriously. — Cameron Kaiser

Star Chart

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An instant classic. Substantially advances/d the state of the art, either technologically, stylistically, or (preferentially) both, and is outstanding music besides. Buy it.

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A excellent album. Nearly every song is a gem; nearly every piece is a winner. Falls short of 5 stars for want of that certain special something, but the difference is in impact, not in musical quality. Buy it.

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Solid. Mostly good songs with a few clinkers. Salvageable with a good playlist. Buy it cheap.

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Mixed. Some good songs stand out, but not enough to make it listenable as a whole. Buy the good songs on iTunes.

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Bad. One or two tracks of even decent quality. Buy the good songs cheap on iTunes.

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How did this get released?

Smash the PMRC

I don't advocate for censorship or unnuanced black and white stickers, but I do advocate for parents being able to raise kids in the way they see fit, which might include introducing albums of controversial yet artistic merit at a point in their child's life when they can better appreciate it. The content summaries are intended to be a very general guide, reflective of only my own personal sensibilities and mine alone, and do not substitute in any way for a parent actually sitting down and listening to the album themselves. If you excessively rely on my content advisories, then I'm the one raising your kid, and you really don't want that.